Artemis Fowl

This one of most fun and draining shows I was lucky to touched at MPC and tough to finished it, with huge amount of effort by lots of artists.
I worked mainly on the "Haven" sequence, where it was mainly about the environment, holograms, gremlins and plenty of crowds ships.

I was in charge of the main fly-through shot, re working the lighting, bringing some of the ideas and concepts from environment, digital matte painters, previous lighters and supervisors, condensing all the different approaches, rendering and assemble the infinite amount of layers we end up with.

I had the very valuable support of my Lead Eric Maltais, and tremendous help from my lighting crew, Inkyoung Sung, who did all the interior and foreground character lighting , Gaston Talavera and Linfan Liu for the tremendous predisposition and help to deliver the show.